I Was a Teen-Age Secret Weapon — Reading Companion

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Sabia, Richard, Freas, Kelly, 1922-2005 [Illustrator] Project Gutenberg 2007 Not confirmed
Science fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 15,571
Reading time 68 min
Text sections 2

Before opening I Was a Teen-Age Secret Weapon — Reading Companion, the edition data offers a quick orientation: 15,571 words, 1 hr 8 min estimated reading time, and 2 detected text sections.

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In Richard Sabia's 1950s science-fiction novella, a seemingly hapless Southern teen, Dolliver Wims, triggers chaotic accidents wherever he goes, drawing the attention of Cold War superpowers who see him as a potential secret weapon.
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Editorial Edition Score 4.5/5

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  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
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Read the Text

They had seized the stand and were unfolding it. The lieutenant spun around. "What are you _doing_?"

"We're helping, sir," the sergeant said.

"Well, cut it out. You noncoms are too officious and it's unnatural. It makes me nervous."

Wims was now on the platform and had taken hold of the screen cylinder. One of the corporals was tugging at the other end, trying to get it away from him.

"Let go of that screen," the lieutenant roared at the corporal. Wims, misunderstanding, released the cylinder a fraction of a second before the corporal did and the corporal went tumbling backwards, knocking the lieutenant off the platform and demolishing the loud-speaker.

The top sergeant raced outside and found one of the company lieutenants. "Sir, you'd better move the company out of the building right away!"

"It's Wims. He's being helpful again."

The lieutenant paled and dashed inside. He took no time to determine the specific nature of the commotion which was shaking the building. He managed to evacuate the company in time to prevent serious casualties when the structure collapsed.

Captain Aronsen, the company commander, faced two of his lieutenants. "You're not telling me anything new," he said wearily. "I know all about Wims. I've tried everything to get him discharged, honorably and otherwise. I've spent a lot of time setting things up so he could hardly help but foul up and we could bounce him, but what happens? Everybody else fouls up and he stays clean. And as if that isn't enough to worry about, headquarters has notified me that General Harmon B. Fyfe of the General Staff will come down from Washington tomorrow for a tour of this post. He'll visit the bivouac area and observe the tactical exercises. As you know, gentlemen, tomorrow is the final day of the two-week bivouac for this company which completes their sixteen-week basic training program. We'll have the usual company combat exercise which will involve the attack, capture and defense against counterattack of Hill Ninety-three."

"The same as always," said one of the lieutenants.

"It won't be the same as always!" the captain said, banging his fist on his desk. "The area of action, the battle plan may be the same but this time we've got General Fyfe as an observer and Dolliver Wims as a participant and, if I can manage to squeeze the day successfully past that Scylla and Charybdis, I'll promise not to devour any more second lieutenants between meals."

"Sir," offered one of the lieutenants, "why don't we put Wims in the hospital just for tomorrow. It would be simple to arrange--say, an upset stomach."

The captain looked sadly at his junior officer. "It's the only hospital we have," he said. "Besides, I have a better idea. I'm detaching Wims from his platoon and will keep him with me at the company command post as a messenger and I'll shoot the first man who attempts to use him as a messenger or anything else."

"Hah! No need to worry about that, sir. Wims may have us a little shook up but he hasn't flipped us yet."

"I hope we can all say that when tomorrow ends," the captain said fervently.

The company command post had been set up under a cluster of dispirited pines obviously suffering from tired sap but in spite of the ragged shade they provided against the mild, mid-morning sun, Captain Aronsen was perspiring excessively and becoming increasingly unsettled. He glanced uneasily over at the somewhat planetary bulk of General Fyfe surrounded by his satellite colonels and other aides, and muttered to his lieutenant, "If Old Brassbottom came down here to observe the exercise, then why the devil doesn't he go over to the hill and observe instead of hanging around here like a sword of Demosthenes?"

"I think you mean Damocles, captain," the lieutenant corrected. "Demosthenes was the orator."

Aronsen looked sourly at the lieutenant. "I know what I'm talking about. Fyfe has only to say the word and off come our heads."

The lieutenant lowered his voice. "I don't like the way he keeps looking at Wims. Do you think he's heard about him?"

"You know how rumors travel in the Army."

"Rumors, yes," the captain said, "but the truth can't even limp out of the orderly room." He wiped his brow and shot a venomous glance at Wims. He said to the lieutenant, "I don't like Wims sitting there in full view of the general. Go tell him to take his comic book and sit on the other side of the tree."

The story opens with a laboratory disaster: Dr. Berry, a psychologist, screams at eighteen-year-old Dolliver Wims to stay away, but Wims's innocent drawl and slow movements only escalate the tension. Berry's catalog of injuries—a scarred hand, a truncated ear lobe, pitted skin—suggests a pattern of mishaps that Wims dismisses with a shrug: "Kin Ah help it if you're always havin' accidents?" The scene ends with Berry sobbing amid shattered glass and escaped animals, a vivid introduction to the story's central tension between Wims's apparent harmlessness and the destruction that follows him.

Accidents as a Narrative Engine

The opening laboratory scene establishes a recurring pattern: Wims's presence correlates with physical chaos, yet he never directly causes it. Dr. Berry's accusations are met with Wims's placid bewilderment, and the narrative leaves ambiguous whether Wims is unlucky, jinxed, or something more. The description of Berry's rage—"a dangerous rumble issued from his throat, as if he were a volcano threatening to erupt"—echoes the natural disaster simile used in the story's epigraph: "like the eye of a hurricane? It never hurts anybody." This framing invites readers to consider Wims as a calm center around which destruction orbits, a pattern that recurs in the later interrogation scene where his simple answers provoke escalating conflict between Russian and Chinese officers.

Cold War Tensions in Miniature

The second excerpt shifts from a psychology lab to a standoff between Russian and Chinese intelligence officers, both claiming Wims. The dialogue is marked by fractured English and mutual suspicion: Colonel Peng accuses Bushmilov of trying to "sneak away like folding Arabian tent," while Bushmilov bristles at Chinese demands. The scene hinges on Wims's inexplicable value—his government offers twelve Chinese officers in exchange for him alone—yet Wims himself claims ignorance: "Ah don't know, suh." The standoff, with drawn pistols and submachine guns, mirrors the larger Sino-Soviet tensions of the era, but the narrative keeps the focus on the absurdity of grown men threatening each other over a bewildered teenager.

Voice and Regional Identity

Wims's Southern dialect is a constant marker of difference. His drawl—"Ah don't know why y'all fuss at me like you do"—contrasts sharply with the clipped, formal speech of the psychologists and the accented English of the Russian and Chinese officers. This linguistic isolation sets him apart from every other character, reinforcing his role as an outsider who disrupts systems without understanding them. The story uses his folksy manner as both a source of humor and a narrative device: his simple, honest answers undercut the elaborate schemes of the adults around him, creating a tension between institutional power and individual innocence that drives the plot forward.

Readers should pay attention to how the story balances its Cold War espionage plot with the recurring motif of accidental destruction. The excerpts offer only glimpses of Wims's past and the nature of his apparent jinx, leaving open whether the narrative will resolve the mystery or sustain it. The contrast between Wims's unassuming voice and the high-stakes international intrigue around him is the story's central engine.

There’s something about Dolliver, that accidental chaos trailing behind him, that reminds me of quieter afternoons spent with The Inheritors — not the explosions, but the sense of being caught in forces far larger than oneself. I still think about both books the way you’d remember a strange, half-finished dream. They linger, somehow. Here’s The Inheritors — Reading Notes, for whenever that mood returns.

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