The Common Man — Story, Setting & Ideas
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Before opening The Common Man — Story, Setting & Ideas, the edition data offers a quick orientation: 18,120 words, 1 hr 19 min estimated reading time, and 3 detected text sections.
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Patricia said testily, "We've been through all that, Rossie, good heavens."
"Nothing ventured, nothing ..." Braun let the sentence dribble away as he stuffed the paper into a coat pocket, which had obviously been used as a waste receptacle for many a year, and led the way up the cement walk, his younger companions immediately behind.
He put his finger on the doorbell and cocked his head to one side. There was no sound from the depths of the house. Dr. Braun muttered, "Bell out of order."
"It would be," Ross chuckled sourly. "Remember? Average. Here, let me." He rapped briskly on the wooden door jamb. They stood for a moment then he knocked again, louder, saying almost as though hopefully, "Maybe there's nobody home."
"All right, all right, take it easy," a voice growled even as the door opened.
He was somewhere in his thirties, easygoing of face, brownish of hair, bluish of eye and moderately good-looking. His posture wasn't the best and he had a slight tummy but he was a goodish masculine specimen by Mid-Western standards. He stared out at them, defensive now that it was obvious they were strangers. Were they selling something, or in what other manner were they attempting to intrude on his well being? His eyes went from the older man's thin face, to the football hero heft of the younger, then to Patricia O'Gara. His eyes went up and down her figure and became approving in spite of the straight business suit she affected.
He said, "What could I do for you?"
"Mr. Crowley?" Ross said.
"I'm Ross Wooley and my friends are Patricia O'Gara and Dr. Frederick Braun. We'd like to talk to you."
"There's nobody sick here."
Patricia said impatiently, "Of course not. Dr. Braun isn't a practicing medical doctor. We are research biochemists."
"We're scientists," Ross told him, putting it on what he assumed was the man's level. "There's something on which you could help us."
Crowley took his eyes from the girl and scowled at Ross. "Me? Scientists? I'm just a country boy, I don't know anything about science." There was a grudging self-deprecation in his tone.
Patricia took over, a miracle smile overwhelming her air of briskness. "We'd appreciate the opportunity to discuss it with you."
Dr. Braun added the clincher. "And it might be remunerative."
Crowley opened the door wider. "Well, just so it don't cost me nothing." He stepped back for them. "Don't mind the place. Kind of mussed up. Fact is, the wife left me about a week ago and I haven't got around to getting somebody to come in and kind of clean things up."
He wasn't exaggerating. Patricia O'Gara had no pretensions to the housewife's art herself, but she sniffed when she saw the condition of the living room. There was a dirty shirt drooped over the sofa back and beside the chair which faced the TV set were half a dozen empty beer cans. The ashtrays hadn't been emptied for at least days and the floor had obviously not been swept since the domestic tragedy which had sent Mrs. Crowley packing.
Now that the three strangers were within his castle, Crowley's instincts for hospitality asserted themselves. He said, "Make yourself comfortable. Here, wait'll I get these things out of the way. Anybody like a drink? I got some beer in the box, or," he smirked at Patricia, "I got some port wine you might like, not this bellywash you buy by the gallon."
They declined the refreshments, it wasn't quite noon.
Crowley wrestled the chair which had been before the TV set around so that he could sit facing them, and then sat himself down. He didn't get this and his face showed it.
Frederick Braun came to the point. "Mr. Crowley," he said, "did it ever occur to you that somewhere amidst our nearly one hundred million American males there is the average man?"
Crowley looked at him.
Braun cleared his throat and with his thumb and forefinger pushed his glasses more firmly on the bridge of his nose. "I suppose that isn't exactly the technical way in which to put it."
Ross Wooley shifted his football shoulders and leaned forward earnestly. "No, Doctor, that's exactly the way to put it." He said to Crowley, very seriously, "We've done this most efficiently. We've gone through absolute piles of statistics. We've...."
"Done what?" Crowley all but wailed. "Take it easy, will you? What are you all talking about?"
Patricia said impatiently, "Mr. Crowley, you are the average American. The man on the street. The Common Man."
He frowned at her. "What'd'ya mean, common? I'm as good as anybody else."
"That's exactly what we mean," Ross said placatingly. "You are exactly as good as anybody else, Mr. Crowley. You're the average man."
The story opens with three scientists—Frederick Braun, Patricia O'Gara, and Ross Wooley—standing before a two-story wooden house, the epitome of averageness. Braun, pushing back his horn-rims, declares it 'the most average-looking dwelling' he has ever seen. The house has a small lawn, one tree, and a hover car that would seem ostentatious elsewhere. This meticulous catalog of ordinariness sets the stage for a tale that interrogates the very concept of the 'Common Man.'
The scientists' mission is to track down this statistical entity and test an idea on him. But from the moment Don Crowley opens the door, his defensive gaze and quick wit suggest the experiment will not go as planned.
The Scientists' Assumptions
The three scientists embody a specific brand of intellectual arrogance. Braun, with his multiple doctorates, treats the house as a specimen. Patricia O'Gara, whose hair should be in a pony tail but is drawn back in an 'efficient bun,' is impatient and testy. Ross Wooley, with his 'football hero heft,' is unhappy and expects the encounter to sound silly. Their dialogue reveals a shared condescension: they assume Crowley is stupid simply because he is average. Braun even carries a paper with data, treating the man as a variable to be measured.
The narrative voice reinforces this by describing Crowley as 'easygoing of face' with a 'slight tummy,' a 'goodish masculine specimen by Mid-Western standards.' The scientists' plan is to test an idea on him, but they have not anticipated that their subject might be listening in—or that he might have his own theories about intelligence and education.
Crowley's Counterargument
When Crowley reveals he has been eavesdropping, he dismantles the scientists' assumptions with pointed examples. He cites Edison and Khrushchev as men who succeeded without formal schooling, contrasting them with Braun, who 'spent half his life in school' yet earns less than a garage owner. He mocks Ross's potential earnings as a pro football player versus his work with 'test tubes and Bunsen burners.'
Crowley's voice is confident and condescending in turn. He claims the Common Man has never had a chance to express himself, and that politicians only pretend to be folksy. His critique extends to democracy itself: 'Sure, every four years the lousy politicians come around and they stick coonskin caps on their heads... but they aren't really common folks.' The scientists, especially Patricia, are caught off guard. She had tried to butter him up, but he saw through her game.
The Reversal of Roles
The power dynamic shifts entirely when Crowley takes charge. He orders Ross to sit down, tells Braun to listen, and exposes Patricia's pretense. His voice comes from an invisible easy-chair, an indentation magically appearing in the upholstery—a detail that underscores his newfound authority. The scientists, who arrived as experimenters, become the subjects of his lecture.
Crowley's argument is not just about intelligence but about respect. He insists that the Common Man is not stupid, and that the scientists' education has not made them smarter. The story thus inverts the expected hierarchy: the 'average man' outsmarts the experts. The excerpts leave unclear how this confrontation resolves, but the reversal is complete. The scientists' project to study the Common Man becomes a study of their own biases.
Readers should note that the excerpts provide only the opening and a middle scene, so the full arc of the experiment remains unknown. However, the story's strength lies in its dialogue and the gradual revelation of Crowley's intelligence. Pay attention to how the scientists' descriptions of the house and car—meant to signify averageness—contrast with Crowley's sharp rebuttals. The tale is a pointed satire of intellectual elitism, wrapped in a science-fiction premise that questions who really holds the power.
Years ago, shelving Mack Reynolds' The Common Man, I smiled at how its quiet everyman out-thinks the clever scientists. That same gentle subversion lingers in my worn copy of Craphound — Reading Notes, where the overlooked often hold the truest observations. They sit together now, two old friends, whispering about outsiders who see clearly.
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